If he could see his birthplace of Rotterdam today

READ MORE...

Nick Griffin addresses EU Parliament, calling to account criminals behind EU immigration policy and their deceptive terms:

by Neil Vodavzny

As you may gather from previous instalments, any alternative to a trillion dollar social-gadget-heavy future is likely to be more of a retro-futurism. The future as seen through the eyes and techniques of the recent past isn’t blindly led by the pied piper of virtual technology. Instead, it’s an artistic vision which, for reasons previously discussed, is truthful to our subconscious drives and what you might call “prejudices”.

There are some who call Zuckerberg a superman (or zuperman) for the times, but the will to succeed should never be confused with the will to power. An underlying problem is that humans tend to become too “attached”. I happened to get a box-set of the first series of The Outer Limits (1963) and the first instalment, The Galaxy Being, features a being from Andromeda composed of light-waves who is attracted by a frequency of radio-static emanating from an inventor’s shed. By some means he is materialized, but has to return to face the music (a transgression of Galactic protocol). “End of transmission” he intones, and blinks out.  Replace the static with a time-machine peering into our future, and the same phrase might apply to switched-on Facebook drones.

The Twilight Zone (1959) and The Outer Limits came out of EC comics’ line of horror/weird sci-fi titles that were so influential, a commission on morals in the comics industry , led by the ludicrous Werther, found them pernicious. Hence we get the comics code authority and superhero explosion. The EC formula was faithfully followed by TZ and OL, with dark but truthful morality – no Hollywood endings. In The Man Who Was Never Born, the future may become “A dark and empty road” unless love conquers … and loses. The Bellero Shield is stylized and suggestive psycho-drama, seemingly written by a fan of Ibsen. A laser invention acts as a signal to another world. “I called it our Bifrost, our bridge to another world – and it is!” Ambitions are invariably thwarted by “The Human Factor”.

READ MORE...

by Neil Vodavzny

I see steam-punk and pulp-fantasy as alternative futures to the bland tech-visions of silicon-valley. There seems to be some inherent dehumanising effect to a cyber-verse. I was looking at 2001, A Space Odyssey (1968) the other day, and realized all the space-ships were models and Bowman’s psychedelic trip through the Jupiter “stargate” was done by photographic effects. Checking with youtube confirmed it was an archaic slit-scan technique whereby a camera dollies towards a slit beyond which are slowly tracking matt jel-patterns. As the commentator says, it’s a spatial/temporal illusion that fits the journey.

This real, visceral quality is sorely lacking in CGI, which always looks like a very good fake. I’d go so far as to say the best sci-fi is retro-futurism , not where we seem headed for, but the future as seen through the eyes and techniques of the past. The awesomeness of 2001 is almost all visceral – the 18th century drawing room where Bowman’s pod alights, the geometrical floor seemingly suspended in space, the monolith you can almost touch.. You almost get religion.

The closest filmic approximation might be Watchmen, also a retro-futurism set in the cold war era, where Dr Manhattan becomes a simultaneous space-time entity, as apparently does Bowman (Starchild). Snyder’s film version’s OK, but doesn’t have the Moore/Gibbons comic’s fantastic sense of hyper-realism. It seems to me, old-fashioned craftwork always has the edge owing to the artist’s ability to physically render and manipulate materials – it’s real, basically. Comic books are perhaps best served by CGI if only because it literally transcribes what’s on the page, so for a fan it’s a fair deal. But the original creative impulse comes from the traditional craftwork – the new X-Men mega-buster Days Of Future Past is born of a mere several issue series by Claremont/Byrne that caught the imagination.

READ MORE...

Pretty odd title for any utopia, no doubt, seeing as utopias are seemingly perfect. Luckily this is no utopia, more of an alternate vision to the one dreamt-up by silicon-valley. There is a school of thought that the perfection sought by Apple’s philosophy is doomed to failure because not only does life’s interest lie in its imperfection, but its essence. Without the Dionysian urge, the creative spirit is dulled and the body languishes in ennui.

Such an ethos is often most apparent in pulp fantasy (of the 30s on). Men and women truly thrive in the maelstrom of epic struggle, roaming through quaint kingdoms and fantastic islands. Whilst reality can’t hope to compete with such exotic vistas, there is a sense in which the worlds of romantic dreamers have far more in common with history and prehistory than our own. The societies of heroic sci-fi/fantasy are real in the sense they pit people against people, ethos against ethos, in fully-imagined landscapes of group-oriented settings, whether it’s Heinlein’s hippy-ethos (Stranger in a Strange Land), le Guin’s pastoral Earthsea, Howard’s Hyboria.

Essentially, any society is group-oriented, neither wholly individual nor wholly egalitarian. This never is a conflict-free zone, since obviously that would be dullsville. More to the point, in order to have any group dynamic worthy of the name, instead of just individuals in a melange, societies have some autonomy. That’s obviously why heroic fantasies imagine city-states, unique tech-design, rural resources. Imaginary societies are very well put-together whereas real-life present-tense ones aren’t.

READ MORE...

Anti-Racism is not innocent, far from innocent, it is prejudiced, it is hurting and it is killing people. It is an impossible, pure Cartesian ideal, prohibiting necessary social perceptual grouping and accountable discrimination accordingly.

READ MORE...

by Neil Vodavzny

In these post-Enlightenment days the signs are ominous, regardless of facts A to Z. Nowhere is this more apparent than with theory-mongers of Anthropogenic Global Warming. I intend to bypass all that rigmarole and cut to the chase.

In order to make sense of the weather, we know it’s divided into 4 seasons. We also know there are 2 equinoxes (day and night of equal length with sun crossing the equator) and solstices (sun furthest from equator). We know there are longer cycles that precipitate glaciations.

These are vast and overarching astronomic cycles of largely unknown dimension. The evolution of Earth’s tilt in its spin takes 47,000 years; a “wobble” of equinox precession takes 23,000 years; cold summers beckon Frost Giants since winter snow doesn’t melt. Man’s efforts are puny compared to these age-old mythical-cycles. Not forgetting Maunder’s cycles of solar activity, idle sunspots and little ice-ages. That’s certainly a lot to play with, but no obviously rational way round the maze of information. It does seem possible a Maunder Minimum could act as a counter to AGW. I get the impression sceptics are clustering around this notion, clucking knowingly to themselves like novice initiates to the Masons.

I jest; the odd thing is each side thinks they’re right for the reason they’re so clever at sorting through all the noise to get to the “real” information that tells them sunspots, AGW, capitalist conspiracy ... are to blame.

READ MORE...